BIOGRAPHY - OLIVIER DE SAGAZAN
biography Originally trained as a biologist, Olivier de Sagazan turned to painting and sculpting with the ever-present idea of questioning organic life. From his passion to give life to matter came the idea for him to cover his own body with clay in order to observe the resulting “object”.
Hands do not touch our precious Me | OLIVIER DE SAGAZAN
Olivier de Sagazan (born in Brazzaville, Congo [citation needed]) is a French artist, painter, sculptor and performer. [1] His most famous performance, "Transfiguration", was created in , with more than performances in 25 countries. Olivier de Sagazan – Wikipedia
With clay and straw, Olivier de Sagazan transforms himself into abstract, creepy characters, sticking them in the face and tearing them to pieces. His performances are both horror art and a certain ritual.
Olivier de Sagazan - Wikipedia
Olivier de Sagazan is a philosophical artist who takes his inspiration from Africa, where he was born, staging performances of terrifying dances which reflect his constant preoccupation with the meaning of life. AMA spoke to him and delved into the worrying world of this astonishing artist. Can you present your career to us briefly? O. S. A journey to the edge of anxiety: an interview with Olivier ...
Influenced by tribal art and shamanic initiation rituals, de Sagazan remolds his face in an effort to dissolve his subjectivity into a pre-linguistic state. Reawakened in madness, he then battles to reunite the body with language, torturing and disfiguring himself until a primordial essence—or as he calls it, the “ unnamable ” thing. «We all live in a collective hallucination»: An Interview ...
For more than 20 years, Olivier de Sagazan has developed a hybrid practice that integrates painting, photography, sculpture, and performance. Disquieting and deeply moving, his body of work collapses the boundaries between the physical, intellectual, spiritual and animalistic senses. This is probably the influence of his African roots: Sagazan is originally from the Congo, but has lived and worked in France for a long time. Originally trained as a biologist, Olivier de Sagazan turned to painting and sculpting with the ever-present idea of questioning organic life. From his passion to give life to matter came the idea for him to cover his own body with clay in order to observe the resulting “object”. This experiment gave rise to the creation.
Painter, photographer, sculptor and performance artist, he has sought through his work, and most notably, through the work that he performs. Olivier de Sagazan is a philosophical artist who takes his inspiration from Africa, where he was born, staging performances of terrifying dances which reflect his constant preoccupation with the meaning of life. AMA spoke to him and delved into the worrying world of this astonishing artist. Can you present your career to us briefly? O. S.
Olivier de Sagazan | Biography - MutualArt
Learn more about Olivier de Sagazan (French, ). Read the artist bio and gain a deeper understanding with MutualArt's artist profile. Olivier de Sagazan - Submerge Olivier de Sagazan (born 1959 in Brazzaville, Congo [citation needed]) is a French artist, painter, sculptor and performer. [1] His most famous performance, "Transfiguration", was created in 1998, with more than 300 performances in 25 countries.Olivier de Sagazan - With clay and straw, Olivier de Sagazan transforms himself into abstract, creepy characters, sticking them in the face and tearing them to pieces. His performances are both horror art and a certain ritual. In general there is a fascination with tribal art and shamanism in his work, be it performance, painting or sculpture.Performance Hybridation - OLIVIER DE SAGAZAN Born in 1959 at Brazzaville in Congo, Olivier de Sagazan lives and works in Saint-Nazaire. Trained as a biologist, he is interested in the living and, through his pieces, seeks to establish a sort of genealogy of the sensibility. He aims to better understand how, at some point, inert material structured by cells engenders life and sensitivity.